Published May 22, 2023, 6:20 p.m. by Arrik Motley
When it comes to finance and art, there are a few key places where these two markets meet. One place is the market for art investment vehicles. These are investment products that are specifically designed to invest in art. Another place is the market for art-related services. This includes things like appraisals, art shipping, and storage. And finally, there's the market for art itself. This is where people buy and sell artworks.
The market for art investment vehicles is relatively new. It's only been around for about a decade or so. But it's already grown to be quite large. There are a number of different types of art investment vehicles. The most common type is an art fund. These are investment funds that invest in art. There are also art-related ETFs and mutual funds. And there are even some hedge funds that invest in art.
The market for art-related services is also quite large. This includes things like appraisals, art shipping, and storage. There are a number of different companies that provide these services. And the demand for these services is only going to grow as the market for art grows.
Finally, there's the market for art itself. This is where people buy and sell artworks. The market for art is quite large. And it's only going to grow as the world becomes more and more connected.
So, where do art and finance markets meet? They meet in a few key places. And as the world becomes more connected, they're only going to meet in more and more places.
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it seems to most people counterintuitive
how strong the art market's been
since the start of the war in ukraine
and wall street dropping 20
what's your perception of that i think
we continually see a lag and sort of a
disassociation between the market and
the art market because people are
continuing to look at art not just as a
passion purchase but also as a way to
diversify their assets so when wall
street is going down art stays
relatively steady by comparison it may
not go up as high perhaps as the market
does but it also doesn't dip quite as
low and picasso is never going to go
from being worth 50 million to zero and
you do see that obviously with you know
bitcoin and some of the stocks that
we're seeing that have like taken
prisoners and your liquidity could go to
zero well that's that's when it catches
up right so i think what we typically
see is
there's a disassociation and then
there's a six to twelve month lag and
then when liquidity starts being
affected and people don't have the cash
to buy art then the art market starts to
dip in in connection with the uh with
the stock market so you're aware that
corrections have always come
but trying to time it
is difficult exactly and you know
sometimes it the the market quickly
bounces back up and then there never is
a our market lag and
now
where do you see it
you know the economy is funny all these
kinds of things do you see a change
coming now you're saying that they're
risk-averse
i'm guessing that the appetite for
guarantees is not yet started
too strongly from any of the auction
houses from november it hasn't changed
as far as we're concerned we're still
very happy to guarantee works i think we
are as entrepreneurial company as we
ever have been and i think that's really
the way we view it we're sort of part of
the risk taking we're taking an
opportunity and looking at it in a you
know as a possibility for us to make
money for the client but also to make
money for the house it's an interesting
point as an opportunity because i'm not
sure the competitors
are willing to write guarantees it's not
late june for november
waiting to see how things settle
so if you're willing to do that risk you
might get
some place first absolutely is that part
of the the strategy at the moment
without question i think that like i
said we have new ownership that is
really excited about partnering with
clients on things and really being part
of the business and taking risks and
that's that's just part of how have you
already signed things up not that you
necessarily tell them as yet for
november or for the fall that might have
been a competitive situation and because
you were willing to jump in guarantee
wise it's possible we may have we may
have embarked on some strategy like that
and how big do you see the nft world as
being part of it i mean it's sinking
crypto sinking
the actual pool of buyers may be much
smaller
than we believe
but some people see that as the future
what i think we're seeing is nfts
evolving they are not necessarily the 69
million dollar people anymore they're
more about volume it's more about the
natively digital works and how many
works you're selling and less about the
one star work that ends up selling for
many many many many but the volume is
sort of circulating back and forward i
think the average hold time is like 30
days yeah i mean and it's like pro to
road to road to road to road a bro it's
like the old joke of how we did like 20
million dollars worth of business it's
only the same thing back and forward
pretty much pretty much yeah
do you see women coming into that area
we have seen some women i mean i think
it's still primarily a male-dominated
area as as bitcoin is as well and all of
crypto is but i think we are seeing an
increasing number of women who have
begun to dabble in it but again it's at
this moment it's obviously an unstable
moment given the situation with crypto
market
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