Published June 1, 2023, 10:20 p.m. by Bethany
Movie Posters used to be one of the mail selling points for films in Hollywood. A great poster can tell an entire movies story in a single captivating image. Though as the years progress, and IP ownership remains king, poster design has become messy and uninspired. Where have the days of Saul Bass, Bob Peak, and Drew Struzan gone? Is the art of movie poster design truly dead?
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Star Wars Indiana Jones Harry Potter
back to the future the thing Goonies
Blade Runner Big Trouble in Little China
all these Timeless posters were designed
by one man Drew streusen Drew strews
into your poster is almost worth making
movies just for that for close to four
decades struzen's illustrations and
artwork represented the movie going
experience his posters served as a
beckoning Call to Arms for movie fans
across the globe and yet today movie
posters aren't created to tell a story
or create an indelible image that
represents the film they're just walls
of floating heads which begs the
question why has this once vital piece
of the filmmaking industry vanished the
artistic unit of the movie poster is an
integral piece of the filmmaking
industry it serves as a cheap and
effective way of informing the public
about a movie's existence when it's
produced well it can Propel a film to
success when it's boring well it doesn't
do anyone any favors the first movie
poster was created in 1895 for the
French short film La Jose A Rose by
iconic director Louis Lumiere as you can
see the poster served two purposes to
inform people what it was like to see a
film and of course to advertise the film
this dual nature of movie posters is
something that they've been attempting
to balance ever since even today the
push and pull between artistic Pursuit
and Commercial Success is in constant
tension in this case the lumiere's
poster functioned as much as an
advertisement for the idea of going to
the movies as much as it is for the film
itself as more complex printing
processes were developed the medium of
movie posters blossomed Divergent styles
were implemented in order to attempt to
catch the eye of the movie going public
simple posters complex paintings
narrative posters and ones that
primarily feature topography were all
employed and as you'd expect these
posters reflected the eras they were
made in throughout the 20s and 30s the
role that movie posters served in
communicating to the public shifted and
evolved actors names and and roles began
to be more prominently featured in the
marketing of the film additionally as
the printing processes matured movie
posters were able to move away from
simplified designs and into more painted
and complex visual tapestries in the 40s
patriotism was on display in the 50s
people were looking for escapism so
fantasy and science fiction were the
taste Azure this is often thought of as
the Golden Age of movie poster design as
arguably the greatest to ever do it
began gaining cultural ubiquity a peak
he created the posters for James Bond
Apocalypse Now The Godfather My Fair
Lady The Dark Crystal and literally
scores of others his Works were
omnipresent throughout nearly three
decades running counter-to-peak's
brilliant narrative instincts and
god-tier draftsmanship was Saul bass a
poster and credits designer you probably
know him from his work in films like
vertigo and the shining his highly
graphic reductionist approach to shape
language color and topography changed
the way film posters intro credits and
the medium of graphic design approached
idea implementation Drew streusen was
the man who took the mantle from bass
and Peak as the next and maybe final
mainstreamed named poster artist
inarguably since the 1980s streusen
worked as the most important movie
poster artist in the industry and maybe
ever when Drew came along and started to
do the the uh the work it really made a
made a big difference his photo
reference style Keen Eye for composition
and instantly recognizable Voice have
served as the definitive Capstone on the
art of movie poster making the way
struzen uses color airbrushed acrylic
and colored pencils to simulate a
stylized and warped reality is truly a
magical feat there's a mesmerizing
quality to seeing an entire two-hour
story encapsulated into one single image
streusen's work does this effortlessly
he pushed the medium of poster art to
Heights it had never before seen his
work struck a chord with the public you
know feeling of texture that he brings
into his art
the feeling that you can almost Reach
Out And Touch it and just the fact that
so tactile his art and that's because he
paints he doesn't he doesn't keyboard
the process by which druzen created his
work is not that dissimilar from how
posters are created today he was
supplied with photos from the studio he
would use them to create a rough
composition they would approve it and
then he would create a highly detailed
Trace drawing from the photos which he
would then airbrush paint and cross
hatch on top of however this process can
take weeks and even months to fully
complete and as such the Legacy that
streusen worked so hard to build is not
being carried on in the mainstream film
industry today struzen is retired his
last work being a Star Wars the Force
awakens Advanced poster that wasn't even
put out for wide release in the current
cinematic landscape movie posters are
dull lifeless sales tools cranked out by
Design firms and plastered all over the
Internet the speed and efficiency of
production is what's most important not
the end product to add insult to injury
there isn't just one movie poster for a
film there's as many as nine or ten
often most wide releases will have a
main theatrical poster with all the
characters on it usually depicted in
what's called Head salad this is
regularly just a photoshopped mountain
of faces of the actors appearing in the
film floating heads in the sky over a
small scene from the movie floating
heads in sepia tone floating heads in
space lots of floating heads in space
it's a trend that's just everywhere then
there will usually be 5 to 10 breakout
character Spotlight posters it's
commercial it's
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trend of character Spotlight posters
also ruins any chance of having an
iconic singular image to represent your
film when you hear Indiana Jones the
thing or Goonies you instantly have an
image in mind when you hear Spider-Man
far from home it's either head salad or
just random photos of the actors
standing there vaguely looking like they
need a restroom additionally in
Generations Past movie posters would
attempt to tell a story that was germane
to the film give you a bite-sized chunk
of narrative to make you intrigued and
want to see the film look at Roger
Castle's poster for Jaws massive shark
woman swimming you instantly get what
the movie is about it doesn't have Roy
Scheider or Richard dreyfus's face
plastered all over the poster it's
focused on the idea that a shark is
Gonna Get You
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today there are very specific visual
tropes that these design firms go back
to over and over again is it a romantic
comedy it's probably a man and a woman
back to back with the man smirking is it
an action-adventure Thriller then the
color palette is probably orange and
blue complementary colors and we're
gonna see someone running or looking
pensive is it a thriller or a superhero
movie get ready to see a billion posters
of someone with their back to camera
looking back at us these tropes are so
pervasive because it's not an individual
making them it's a design firm who's
just trying to please a studio client
even when they are executed well they
feel soulless and it's not going away
anytime soon the thing illustrators like
struzen and Peak brought to the table is
that even when they were working off
photo reference they're bringing their
perspective as an artist they're
tweaking things they're adding small
highlights details and stylizations a
very Uber realistic Style
but as a result it's rather stunning to
to look at look have movie posters
basically been showing people's faces to
you in the hopes that you'll pay to see
the move since the beginning of the film
industry yes but the version of it that
exists today is just so much worse and
that's all we have for this episode what
do you think is there a movie poster
that's been put out over the last decade
or so that you think Rivals Drew
strewson's output let us know down in
the comments below and as always please
be sure to like And subscribe to the
channel for more videos just like this
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