Published June 18, 2023, 10:21 a.m. by Violet Harris
Prop money is everywhere in film and television, but people don't realize how difficult, complicated, and risky it is to print prop movie money. Gregg Bilson Jr. is the CEO of ISS props, one of the biggest prop houses in the world. In 2000 he got his biggest order for prop money ever: a trillion dollars for "Rush Hour 2." However, after the fake money got into the hands of some extras who tried to spend it in the real world, the Secret Service ended up serving ISS with a cease and desist and confiscating all of the prop money from the movie. These days only a handful of companies print prop money because of the inherent risk. The companies that do still print prop money generally offer two major types of bills, "standard" and "high-grade." The standard bills are printed on both sides, and they look great from far away. However, up close, the differences become apparent. So for close-ups, high-grade bills are used. These bills are identical to real cash, but they are printed on only one side so they can't be used as real currency. movies and television also occasionally use real bills on camera. Bilson and ISS lend out real cash as often as they can because it looks great on camera and it avoids issues with the Secret Service. However, the ultimate irony of printing prop money is that it actually isn't very profitable.
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One of these $100 bills is real,
and the other one is a piece of prop money made for movies.
Can you tell which one is which?
They both have a blue security ribbon, textured ink,
and even the smallest detail,
like text from the Declaration of Independence.
The answer is obvious when you flip them over.
Bills as detailed as this one
are required to be blank on the other side.
That's because if prop makers,
like Prop Movie Money in Florida,
print money that looks too real,
they risk getting in trouble with the US government.
That's what happened 20 years ago
on the set of "Rush Hour 2."
Gregg Bilson Jr.: Money is more work
than it's worth, in the long run.
Narrator: That's Gregg Bilson Jr.,
CEO of the Los Angeles-based ISS Props,
one of the biggest prop houses in the world.
In 2000, Greg got an order for and printed
$1 trillion of prop money for "Rush Hour 2,"
most of which was going to be blown up on screen.
And the prop money looks good in this scene.
Too good, in fact.
Carter: Hello, Benjamin!
Narrator: The fake money looked so real
that some extras on set pocketed some of it
and tried to spend it at real stores.
That alerted the US Secret Service,
which confiscated and destroyed the fake bills
and the digital files used to print them.
It had cost $100,000 to print all of that fake money,
so losing all of it was a financial blow
to Gregg and ISS.
Bilson: We didn't try to make fake money to dupe the public.
We made fake money to make a movie.
But we just made the prop too good.
Narrator: The "Rush Hour 2" incident underscored
an obvious dilemma for printing fake money.
The money needs to look realistic on camera,
but it can't look too realistic up close,
or people might try to spend it in real life.
The problem has become even greater in recent years,
with better cameras capturing more and more details
from the background of scenes.
So the prop industry has come up with
two different types of prop money,
each with its own strengths and weaknesses.
For scenes where the cash is filmed from far away,
productions typically use standard-grade bills.
The iconic money scene from "Breaking Bad" uses these bills,
which were rented from Gregg and ISS.
These bills look real from afar,
but up close are obviously fake,
with lots of clear differences
when compared to the real thing.
The portrait on the bill is poor quality
compared to the real one.
And instead of "one hundred dollars,"
it just reads "one hundred."
The smaller details on the bill are also altered.
The seals are a different design,
and the signatures on the bill have been changed.
Then there are the obvious additions,
like the prominently displayed
"for motion picture use only."
In fact, if you zoom in to this scene from "Breaking Bad,"
while it's blurry, you can actually see
that each bill says "for motion picture use only."
These changes should keep the Secret Service away,
but they also mean standard fake bills
are no good for close-ups.
So for those shots, movies will often use high-grade bills.
High-grade bills are identical to real money
but are printed on only one side
so that they can't be confused with the real thing.
Like the one we showed you earlier,
which was printed by RJR Props in Atlanta.
You can see an example of a high-grade bill
in this scene from the 2014 movie "Let's Be Cops."
An alternate solution that Gregg and ISS
have been using for the past several years
is to simply use real bills.
This is the first version that they offer.
ISS will take a pile of completely blank bill notes
and then place one real bill on the top of the stack
and one on the bottom,
making it appear as if the entire stack
is full of real bills.
The second method for using real dollars
has a bigger risk attached, but it may be the best option.
An entire stack of real bills.
ISS will get stacks of $10,000 from the bank
and then deliver them to set.
While having this much cash lying around
makes some productions nervous,
it looks great on film
and eliminates any risk with the Secret Service.
That's what they did in this shot from "Ozark."
Bilson: I see fake money used all the time,
and I think it is appalling,
because I'm a property master,
and I want things to be authentic
and accurate and look right.
Narrator: Take a look at this
season one episode of "Girlfriends."
The fake-looking money is distracting to the audience.
While productions may prefer to use real money,
sometimes it's unavoidable,
like in scenes where bills are destroyed
or in scenes that require an absurd quantity.
In cases like these, Gregg says
that he will still use fake money.
Except he certainly doesn't print the fake money himself,
as he still has his cease and desist
from the Secret Service.
So he buys it from Prop Movie Money,
one of the few printers that make prop money.
The ultimate irony of printing prop money
is that it actually isn't very profitable.
Standard and high-grade bills
sell for roughly $45 for a stack of 100 bills.
Gregg still has two bills from "Rush Hour 2"
that the Secret Service didn't confiscate.
Even though these bills look less realistic
than modern prop bills,
he still has them encased in plastic
so that no one can try to use them in real life.
They're a physical reminder of the risks prop makers take
and the rewards they reap to get that perfect money shot.
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