May 5, 2024

Writing a TV Pilot | Impacting Culture Speaker Series (Selects)



Published June 3, 2023, 7:20 p.m. by Jerald Waisoki


In this clip, David Greenwalt (showrunner of "Grimm", executive producer of "Buffy the Vampire Slayer") discusses the most coveted piece of writing you can have as a writer in Hollywood -- an original TV Pilot. This talk was given as part of JPCatholic's Impacting Culture Speaker Series which is available now on JPCatholic Online. To watch the full lecture (and more) sign up for free at www.jpcatholic.edu/online

Learn more about JPCatholic's screenwriting degree at jpcatholic.edu/academics/degree/film/

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I want to see and everybody else wants to see an original pilot

because a pilot is the hardest thing to write

and-- oh and there's something else I want to say too which is the--

and we kept learning this over and over on "Grimm"

simple stories complex characters, right

and all plot has to come out of character.

Joss Whedon used to say "I'd rather have a moment than a move"

an emotional moment than a plot move

we were pretty crappy detectives on "Buffy" and "Angel" to be honest

but we had great emotional characters.

And so I'm looking for a pilot and in a pilot what's so-- uh, challenging  

is that you have to first of all create a bunch of characters that I wanna see next week

you have to have an idea-- now in the old days an idea that there could be a hundred episodes in  

nowadays it's you know with the streaming sometimes it's only eight episodes  

and another thing I see is a lot of these eight episode series should be four hours  

they start great and they end great and they're dull as dishwater in the middle

you know not every story is worthy of a hundred episodes

but the question you have to answer in a pilot is:

"why am i coming back next week?"

"why is this a series?"

and I have to do a little A story within that

anybody's seen the pilot of "Grimm" knows it has the simplest A story in history  

little girl is kidnapped-- little kidnapped, a little girl is saved by our heroes

but this whole world is opening up to the character

so um-- and again since television is my métier

uh, an amazing pilot

and keep writing pilot-- people always think "how do I get in how do I get an agent?"

"how do i get all this stuff?" You get all that stuff by sitting at a desk

hopefully all day every day 

or if you're making a living you're a waiter at night or maybe you got a PA job on a  show

writing writing writing and it all comes back to the writing so that's what I look for.

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