Published June 3, 2023, 11:20 a.m. by Courtney
Today, we discuss the film finance term: The waterfall. Understanding what The waterfall means can help you see your film's financial obligations...and opportunities...more clearly.
Please subscribe and hit the bell in the upper right corner to receive notifications when new episodes drop.
Making a movie. Step by step. One archetype at a time.
This series chronicles the creative and logistical process of building an independent film, from start to finish. As we explore each stage in the process, we consider the archetypes within us - and within our team members - that are needed to carry out the complex, wide-ranging tasks associated with filmmaking. You'll need an inner Dreamer or Idea Man to generate ideas. You'll need the kid inside you - an Enthusiast - to stay inspired. You'll need a Fixer to address problems as they come up, an Optimist to keep a bright attitude, with a Mystic or perhaps a Guide to answer the spiritual challenges that the process presents. You'll need a Desk Jockey for all that paperwork as well as a Diplomat, Performer, and perhaps a Jetsetter to get your film to the world. So join us as we build a movie and shine a light on this complicated process so that we can empower others to live out their dreams.
You may also like to read about:
am i going to have enough revenue to pay
back my investors or the actors that
have net profit participation points
to answer those questions it's important
to understand the waterfall
not as in niagara falls sutherland or
iguazu but as the term applies to film
finance
the waterfall represents the flow of
revenues and profits from the consumer
to the financial stakeholders
at the top of the waterfall is the
entire amount of money the film has
generated and as we move down the
waterfall we can see which entities
investors and participants are
prioritized and in what order they are
to receive funds
the concept could be applied to any
business but it's extremely helpful with
movies since they require a number of
investors distributors and stakeholders
each waterfall could be set up
differently based on the contracts
you've negotiated but to illustrate the
idea i'm going to pretend that the first
play fatelink produced fate of the
monarchs has been turned into a feature
film
let's run an example waterfall
let's say fate of the monarchs costs 250
000
to make all it
to finance the movie we found five
investors who each put up 50 000
in private equity
our deal with them is that they will get
their original investment plus a 20
return
once they've been paid their original
investment plus 20 percent return
each of the five investors will get 10
of the net profits fate link the
production company will get thirty
percent of the net profits three stars
of the film will each receive five
percent of the net profits and the
writer director will also get five
percent of the net profits okay so those
were the deals we made before stepping
on a set then we went out made the movie
and now it's time to find distribution
and sign some more deals we decide to
hire two sales agents on commission one
to represent the film in the us canada
and one to represent the film
internationally
each sales agent charges us a 10
commission on funds received by the
production company
our domestic sales agent charges us for
expenses on her territories up to ten
thousand dollars but our international
sales agent does not charge for expenses
in the end as fate would have it we
premiere at a festival and get an offer
for worldwide distribution from
amazing distribution company
so despite having two different agents
we end up with one deal i'm doing this
mainly to make our example waterfall a
little bit easier even if it's not quite
realistic
our deal with amazing distribution
company is that they're going to retain
25 of sales and we get 75 percent of
sales but they're also going to charge
us for their marketing expenses up to 25
000
they're not going to give us a minimum
guarantee
they're good negotiators
but good news
over the seven years that they
distribute the film
amazing distribution company earns 500
000 for it so the film doubles its money
right
not quite
let's see exactly what happens with that
500 000
as we go through our example waterfall
brief aside
where did that 500 000
come from we're assuming that amazing
distribution company went out and
licensed the film to a few cable
companies in different parts of the
world
then licensed the film to several
streaming platforms
they put the film on retail sites and
sold dvds and blu-ray versions of fate
of the monarchs and people bought the
film as a digital download on a number
of platforms that amazing distribution
company found
then negotiated and transferred the
relevant files to those platforms
whatever portion those platforms took as
a percentage
amazing distribution company never saw
that money and that doesn't go into the
500 000 in revenue that i'm talking
about
now where does that money go
in reality this money would have been
distributed over those seven years but
that would make our example extremely
complicated so for the sake of
efficiency i'm gonna assume one payment
of five hundred thousand dollars it's
also relevant to know that 400 000 of
the sales came from the us canada
while a hundred thousand dollars of the
sales came from international
territories
okay
so where does the money go first of this
500 000
our distributor is slated to earn 25
or 125 000
leaving the remaining 75 percent or 375
000
for us
however the distributor used the entire
25 000 of expenses for sales and
marketing so they will deduct that
amount from the 375 000 owed to us
leaving us with 350 000. now it's time
to pay our sales agents
as it happens both our domestic and
international agents negotiated a ten
percent commission
but remember our domestic sales agent
charged us ten thousand dollars in
expenses
as it turns out eighty percent of our
sales were domestic and twenty percent
of our sales were international that
means that two hundred and eighty
thousand dollars of our funds came from
domestic sales and seventy thousand
dollars came from international sales so
we owe our international sales agent
seven thousand dollars and our domestic
sales agent
thirty eight thousand dollars remember
those expenses she negotiated okay so
that leaves us with three hundred five
thousand dollars of that amount we owe
our five original investors their fifty
thousand dollars back
so
fifty thousand dollars times five is two
hundred and fifty thousand dollars so
the good news is we've managed to pay
back our investors now on top of their
original investment
each investor is owed a twenty percent
return which would be ten thousand
dollars each
so let's go ahead and pay that ten
thousand dollars multiplied by five
investors
now each investor has gotten their money
back plus a twenty percent return which
is fairly standard
after we pay that we have only five
thousand dollars left
of that five thousand dollars the
investors each get ten percent of net
profits failing gets thirty percent and
our three movie stars get five percent
oh and the writer director also gets
five percent so
our investors would each get an
additional 500 bucks fate link would get
1500 and each of the movie stars and the
director would get 250
for this risky adventure of making a
movie each investor has walked away with
sixty thousand
five hundred dollars fate link has
scored fifteen hundred bucks and the
stars and director made two hundred and
fifty dollars in net profits and of
course the stars and director were also
paid a salary up front that came from
the original 250 000 budget
you can imagine one of the movie stars
calling their agents and saying i know
this movie only costs 250 000 to make
and it may double that and yet i'm only
getting 250 bucks am i getting screwed
here
according to the waterfall the way this
particular film was set up the answer is
no
the paycheck given to the movie star is
100 correct but that's why it's
important to pay attention during your
negotiations and understand what each
contractual provision might mean not
only for yourself but for the other
profit participators at the bottom of
the waterfall
as complicated as this example has been
real life examples are likely to be even
more complicated because there are
likely to be ongoing expenses for the
production company and possibly residual
payments to actors as well depending on
the contract that's been signed with
talent
but i didn't want to overwhelm you just
give you an overview of the concept
i hope this video has helped you better
understand the idea of the waterfall as
it applies to film finance if you enjoy
the content please
like the video and subscribe to our
faithlink channel
2CUTURL
Created in 2013, 2CUTURL has been on the forefront of entertainment and breaking news. Our editorial staff delivers high quality articles, video, documentary and live along with multi-platform content.
© 2CUTURL. All Rights Reserved.