Published May 26, 2023, 4:20 p.m. by Monica Louis
When it comes to finance, there are a few key things that all cultural organisations need to know before they start. Here are some of the most important things to keep in mind:
1. Know your audience: It is important to understand who your target audience is and what their needs are. This will help you determine what type of financial products and services to offer.
2. Research the market: It is important to research the financial services market in order to find the best deals and products for your organisation. There are a number of online resources that can help with this.
3. Understand your options: There are a variety of financial products and services available, so it is important to understand all of your options before making a decision. Make sure to compare different products and services in order to find the best one for your needs.
4. Get professional advice: If you are unsure about any aspect of finance, it is always best to seek professional advice. This will ensure that you make the best decisions for your organisation.
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Finance for Cultural Organisations
Hi. I am Sarah Thelwall
and I am a strategist and consultant based in the UK.
And my course for you today is
Finance for Cultural Organisations.
Things you need to know before you start.
The purpose of a budget is to work out in advance
what it’s going to cost to deliver to a set of objectives.
The first thing to check therefore
is that you have a clear set of objectives.
This is the difference
between being asked to prepare a budget for an exhibition
and being asked to prepare a budget
for an exhibition in July,
showing the works of five artists
in a mixture of two and three dimensions
in a space that you own
for which you are wishing to attract 2,000 visitors.
So as the person responsible for preparing the budget,
you want as clear an answer as possible
to the question of what are we trying to achieve.
In an ideal world
you would be working with a set of SMART objectives:
specific, measurable,
achievable, realistic, timely.
Is there a general ballpark?
This second question is again to help you focus your time.
The budget for putting on an exhibition of local artists
with the goal of attracting a local audience
is likely to be very different from a budget
for flying in international artists
with the goal of attracting an international audience.
For this reason, there’s obviously no average budget,
and therefore it’s really worth finding out
what a funder is willing to spend
on achieving this set of objectives.
And that’s what I mean by wanting a general ballpark
for the budget that you are going to work on.
There are times when a funder or sponsor
has a sense of the upper limit
of what they will spend on a project.
If this is the case, it’s really worth knowing what that upper limit is,
so that you can deliver the greatest value
for the project, the organisation, and the funder.
Your organisation may or may not be
bidding competitively for the funds.
If you are bidding competitively,
a budget is a key part of demonstrating
that your organisation should win the funds.
In a competitive environment you are looking to demonstrate
that your budget is both cost effective and realistic.
So there are two questions you need to ask here:
‘Is there a ballpark that I should be working within?’
and ‘How risky or risk averse should I be
when putting this to the funder?’
A third question that you could ask at this stage is
‘Have we done this before?’
Because if you have, it’s worth looking at past budgets.
So as you can see here, what we’re trying to do
is prevent you having to start from a blank sheet of paper
or an empty excel sheet.
The final question to ask at this stage
is ‘Has anyone mapped out the project activities
that you are going to develop a budget for?’
By the time you sit down to write the budget
you will, with luck, have acquired
some or all of the following information:
a set of project objectives or goals;
a ballpark
in terms of the total costs you can put to the funder;
past examples
of similar budgets for similar projects;
and a timeline of activities for this project.
This information is important
because it provides a set of boundaries within which you can work
or a set of assumptions that you can use when costing.
So now you can:
work out whether you have
all the documents you need available to you;
work to a pre-agreed timeline;
and understand the level of risk
that your organisation is willing to take.
For each video I’ve prepared a set of extra materials,
reading lists, suggested articles to read.
You will find these below the video.
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